This too shall pass

Mary Street, Burwood on Sunday, 12 July 2020

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It’s a small street near the train station at the back of the main shopping strip in Burwood Road. On one side is a newish high apartment building with a glass shopfront, featuring a jewellery shop and a restaurant. On the other side, stretching all along the street is an old, grey-painted building. It seems to be empty. Looking at its new neighbours, I guess it probably won’t survive very much longer. I discover an alley at the back. At the corner, it is revealed that the building belonged to the Police Citizens Boys Club, chiselled in big bold letters into the wall. I first thought this was a club for the police when there were hardly any women in the force and the men felt like boys among themselves playing snooker and clapping each other on the shoulder. 

People who grew up in Sydney probably know what the club really stands for. But my uninformed guess is not entirely ridiculous when you know that exclusive all-male institutions still exist, like The Australian Club in Sydney, frequented by the likes of John Howard and George Pell. 

The Police Citizens Boys Club was founded by Police Commissioner William John MacKay in 1937 to keep boys from poor neighbourhoods off the streets and offer them a better chance in life. I found a newsreel from 1939 in the National Film and Sound Archive, praising the club as one of the greatest and most humane organisations in the world. They offered sports activities and a safe environment for socialising. Apparently also helped with finding jobs and enabling the boys when they were grown up to “move their families to a better residential area”. All this is delivered in the typical male newsreader voice of the 30s and 40s. Today the club includes females and has still a similar function. 

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The alley behind Mary Street features back doors of food shops and restaurants, milk crates to sit on when you step out from work for a break, kitchen smells, music sounding faintly from somewhere inside, towels drying on a rack next to a shiny BMW. In one corner we are urged not to pee, an unofficial inscription in scrawly letters. 

The lockdown is over, but restrictions still remain. There are some places where you can sit inside with a limited number of people, some only offer takeaway and others haven’t survived.

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Another Margaret

Margaret Street, CBD on Wednesday, 17 June 2020

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The day is windy and rainy. I am at Circular Quay to catch a ferry to meet a friend on Cockatoo Island which had just reopened the day before with the extension of the Sydney Biennale ‘Nirin’ after months of lockdown. But I get a phone call that she fell off her bike and had to go back home. So I use the opportunity to go to Margaret Street as I’m always putting off going to the CBD.

There is a lot of construction work happening. One huge building is totally covered with scaffolding and the protective coverings they now use. At the corner it reveals to be the old 1938 Elgin Building, at least judging from the enlarged photo with the art deco style clock tower and the writing on the panels covering the construction site. It’s strange how often you cannot remember a place, once it is gone or covered up. It’s also strange how often you don’t look up while walking in the streets, because when I do, the old clock tower is there, sticking out above the scaffolding. It’s 12 o’clock until further notice.

I read up about the Elgin building on the internet. It was once the Shell House. In April 2019 the Menzies Hotel next to it was demolished and revealed large painted ‘Shell’ signs on the side wall of the adjacent building. It says in this article that the signs would be covered again soon as the new 27-storey Wynyard Place Tower is going up there. And this is happening now. The article also says how significant the Shell company was for the growth of Australian business.

On the other side of the street is a diner with glass doors displaying so many warning signs that I wonder how anybody dared to make their way inside. But some did.

Next is the Scots Presbyterian Church Sydney. It’s a huge neo-gothic building and it is closed. Within its arches is a small coffee kiosk with the sign ‘Order Inside’. I find this unusual as recently we were always told to stay outside of cafés. The next window reveals that it is quite nice inside and you are allowed to sit down. One woman, however, is standing near the open window reading a newspaper, probably waiting for a takeaway. I glimpse the headline of an article on the open page: “What discounts to look for as isolation ends”.

At the corner of Kent Street, the pavement at the traffic lights is covered with mysterious multicoloured numbers and letters, lines and arrows. Some say ‘EMPTY’. Obviously, it must have to do with what is underneath. I’ve looked that up afterwards too and found that these signs indicate cables and pipes underneath, red for electric wiring, blue for water, yellow for gas, green for CCTV or cable networks, white has mixed meanings, for proposed excavation but also messages for workers.

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Margaret Lane is just a gap between glass and concrete towers. It only has backside garage doors and service and fire exits, no front entrances. Someone is smoking in one of the doorways. I make up my own theory about the lane, inspired by the large photo at a corner on the way back to Circular Quay. The photo shows a lane that was there at this location in 1901 called Brown Bear Lane (Later Little Essex Street). It is a narrow alley with a dilapidated wall and workers’ housing. That’s what Margaret Lane could have looked like.

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You are not alone

Mary Street, Lilyfield on Saturday, 6 June 2020

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Part of the street runs next to the Leichhardt Oval leading to the swimming pool. The large car park area is almost empty. Two skateboarders are having a good time. The swimming pool is open, but no walk-ins. You have to make a booking. The Mary Street playground is empty, even though it’s available for use again.

The rest of the street is residential. Building and home improvement work is going on in several already existing homes. Somebody is playing the song ‘Everybody hurts’ by R.E.M. “Well, everybody hurts sometimes, everybody cries,…. So hold on, everybody hurts, you are not alone”.

A bit further down the street, two workers argue in a mix of Arabic and English. Later I see the younger of them walking away down the street, upset and talking on his phone.

While I am admiring a white gardenia bush, an instrumental jazzy music piece starts from inside a house. It’s beautiful. On my way back the music changed to a Van Morrison song: “Just like way back in the days of old…” Also beautiful. It seems, it’s music day today and every line of these old songs has taken on a new meaning.

The last house where Mary Street merges into the Leichhardt Oval section looks like the gatehouse of some old passageway where people had to pay the toll and could water their horses.

The last house where Mary Street merges into the Leichhardt Oval part looks to me like the gatehouse of some old passageway where people had to pay the toll and could water their horses.

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Blue Hour

Matilda and Cecily Street, Rozelle on Wednesday, 3 June 2020

It is almost 5 pm when I start my walk and the light is already fading on this winter day. Matilda is a very small street off Balmain Road. On one side is a factory building with big windows, painted white, now housing a physio practice. On the other side is the Gary Owen Hotel from 1920. It’s open again.

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I walk along Balmain Road a bit and come to Cecily Street. It’s the one opposite the main gate of Callan Park where I had stopped at the light so often, coming from Sydney College of the Arts. They have moved out now, the old Kirkbride building empty, at least for now. There is a COVID-19 safety message at the gate. People are leaving the darkening park after walking their dogs.

At the corner is an old factory with artists’ studios. At least they were there once. It looks shut now. It could be because of the virus or it could be permanent. There is graffiti saying “Leave It”. All along the bottom of the wall is a mural painting on which horses with aprons and baker’s hats are baking bread and muffins. Above are large, awkwardly painted letters in white. I can read RUIN, the next word is not clear. But if it is supposed to be PARTY, they forgot the T in their haste.

Cecily Street is quite long. It goes downhill towards the City West Link, but on google maps it says Rozelle Interchange. That’s part of the Westconnex project. At the end of the street is a tall crane visible at the horizon.

When I come back up the street in the dark, the white letters on the wall look iridescent, lit by the street lamps and cars. I notice another signage underneath. It says something starting with P and then ‘Baking Company’. Only later at home on the computer can I decipher the name: Pilcher. I find an entry online about the F. Pilcher Baking Company opening a new bakery in 1913. The family had a commemoration event with the History Division of the Balmain Association in 1989.

I haven’t done any street walks for this project in the evenings yet and it reminds me of the days when I did the ‘Windows at Night’ series in 2001. Today was bright and sunny. Now the light at the horizon is fading to a pink-purple. And the sky is changing to a darker shade of blue. ‘Indigo Sky’ comes to mind: ‘Under the indigo sky we lay down and we died.’

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Cats and Dogs

Myra Road and Margaret Street, Dulwich Hill on Saturday, 30 May 2020

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Myra runs off Canterbury Road, descending to the train tracks below. Water is running down in the deep gutter like in a creek. The street consists mainly of small blocks of flats from the 1950s or 60s and some single houses in between. On the porch of one of these houses, an effigy is sitting in an armchair: runners, pants, a jumper, a black scarf, face mask. It looks eerie and strangely realistic. While taking a photo, I am a bit scared that it either might suddenly move and yell at me or that it is indeed a dead person.

I pass a woman with her children in front of one of the blocks of flats. She tells the smallest: “Call Daddy", who sits on a balcony and smokes. Daddy says: “The water pressure is low.” That seems to be the reason for the road works at the top of the street. An older man, his clothes matching the traffic cones, is watching the progress of the work.

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Myra Lane

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Margaret Street is residential with tall trees. Quiet. The only sounds come from invisible birds. It has dark brick family homes, two of them are empty, and the others are very well cared for. There are also a couple of small 50s blocks. An old woman with a shopping bag on wheels is doing something near one of them. When I come closer she is crossing the street very slowly and busies herself with the rubbish bins. I realise that she is collecting bottles. In another part of the street, I notice a discarded black backpack on the green strip. An old man carrying shopping bags comes slowly towards me. “Is that a dog?” He asks. I tell him that it is a bag. “Oh, I thought it was a dog.” That’s how my first English language lesson book at school started: “Is it a dog? No, it is not a dog, it is a fox”. We both smile and he walks on.  

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Isabella among the smells of industry

Isabellla Street, Camperdown on Thursday, 28 May 2020

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Isabella is a very short street which I first couldn’t find. When I finally drive into this narrow one-way lane, there is a big SUV in front of a new apartment building, blocking the way. A man with a big, black beard is talking to the driver. I immediately think that the car is collecting a COVID-19 test sample. At other times I would have thought they are just having a chat. The bearded man opens the garage door, but the car drives off. There is something strange about that car since I see it again a bit later, parking around the corner, then driving away, apparently having gone around the block as it comes back and enters Isabella Street from the wrong side.

This part of Camperdown has an industrial feel. Even though most of the old warehouses are now residential dwellings and the former factories are gone. At the Layton Street exit is a heavily fenced and barb-wired property that warns of high voltage. It has a rusty, crane-like contraption with a hook in the shape of an anchor. In Isabella Street are three small one-level terraces wedged between two dark brick warehouses.

I imagine the whole street would have been lined with terraces, like in working-class areas in England. These three are the leftovers. Maybe the warehouses came later. It’s dark in the street and the houses look utterly depressing. They were probably built to house the people working in the surrounding factories, as there was a foundry, a tannery, a coach works, biscuit factories, soap manufacturers, Fowler’s pottery and more.

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For Eliza

Eliza Street, Newtown on Wednesday, 27 May 2020

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When I researched Georgina Street I came across Eliza Donnithorne who lived nearby on King Street in the mid-1800s. The legend goes that on her wedding day, she and the assembled guest waited in vain for the groom to arrive at her home for the wedding breakfast. When the guest had gone, she locked the house and never went out or let anyone come in. When she died 30 years later, they found her in her wedding dress. The food on the dining table had mouldered into dust. She is buried with her father in the Camperdown Cemetery. The headstone is still there.

I thought it was very romantic to have named a street after her, but this doesn't seem to be the case. According to one source, the name was derived from the daughter of Thomas Rowley. The only information I could find about him is that he was born in the Colony, classified as Australian Royalty and had a daughter named Eliza, among other children. 

At the corner of Eliza and Lennox Street is the backside of the Court House Hotel, closed for now. A bit further is a pile of rubbish dumped near a graffitied wall. A thin older man, doubled over from the waist, is trying to reassemble a rollator.

Next is the back side of the Newtown Fire Station. At 5 Eliza Street is the Newtown School of Art, founded in 1916. It existed beforehand in another building, established in 1899 as the Newtown Workman’s Institute. It was rather a recreational institution than an art school. “It featured a library, lecture hall, billiards hall, and small rooms for reading, retiring, smoking, games, meeting and classrooms.” (cited from the Gritty Newtown Historical Walking Tour site). The library sign is still there, maybe even the library, but everything is closed because of the Coronavirus lockdown, so I can’t check it out. Part of the building is now the home of the theatre Old 505 in memory of its former address at 505 Elizabeth Street in Surry Hills.

Near the library entrance, is a mural in memory of a missing person, a young man from Maroubra.

From here on, the street is paved with red bricks laid out in a herringbone pattern. It looks like a pedestrian zone, but cars are permitted to drive through from the King Street end. It's a bit confusing for pedestrians. There is also the backside of the Newtown police station, a rather grand building from 1885.

A pub at the corner is called Websters. I read that the ex-convict John Webster opened a shop at this spot named New Town Stores which allegedly gave the suburb its name. 

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Georgina and her neighbours

Georgina Street and Lane on Tuesday, 26 May 2020

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It’s the first day with a promise of sunshine after a week of rain and cold. But when I arrive at my destination, the sky turned dark again. It's starting to drizzle. Despite the weather, a toddler is running around in the playground. An unusual sight, first almost like a shock: “Is that safe?” Playgrounds have just opened to the public on the weekend. 

When researching the local history, I read that Georgina Street was the most prestigious address in Newtown. Indeed there is a row of terrace houses, unlike any others I have seen elsewhere. They have another storey, rising above the filigree balconies or winter garden encasements. Each building has its individual ornaments and decorations. Some are run down, with peeling paint and crumbling tiles in the front yard. A couple of them are derelict and deserted. Others are renovated and freshly painted.

The houses adjacent to Warren Ball Avenue, facing Hollis Park, are particularly well-kept and elegant. There are two old stone pillars guarding the end of the street. On one of them, it says L’Avenue in chiselled letters. Beyond is Fitzroy Street. It looks like the poor cousin of Georgina, lined with low, dark terraces. Paradise ends here.

The grand houses were built by Magistrate John Kettle around 1880 when he had purchased that piece of land. Georgina Street is named after his daughter, so it says in the Newtown History Project pages. It also says it was a planned development unusual for Sydney and inspired by the planned squares in London and Brighton.

I try to peer through a downstairs window framed by dark green curtains. The room is quite large. Then I notice two dogs, only their heads visible above the window sill. They are hard to recognise through the reflection of trees and the sky. When I look at the photo later, taken with a flashlight, there are only two pairs of green glowing eyes. 

I am particularly attracted to this house. It has a mix of neglect and care.

A bit further down is a funny repetition of a dog in a window. This one is a deserted house. The dog is a picture on a poster. 

The area was and is home to a substantial Jewish community. I don’t know exactly when this began. At least since around 1918 when the Synagogue was built.

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Warren Ball Avenue, once simply L’Avenue

Warren Ball Avenue, once simply L’Avenue

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Fitzroy Street

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Georgina Lane shows the backside of places, as lanes often do, and speaks of a simpler life.

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Two old friends

Alma Avenue, Enmore on Tuesday, 19 May 2020

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The entry from Stanmore Road is almost invisible, hidden behind trees until you are just before it. On one side and a whole block down is the Cyprus Club member’s car park. It’s huge. A property developer would say, "what a waste of real estate". At least I knew one who did say that about large open-air car parks. I wonder if they used to have so many guests at their events to need that much space. One part seems to be leased by the Allied Express delivery company. There are many vans with that logo and drivers organising their pick-ups and deliveries. A little later, one after the other, the Allied vans are coming down this narrow, one-way lane. It seems I have picked a bad time, but in a moment they are all gone.

This street has some houses facing it and some turning their backs. It feels cozy. There are two chairs of a different kind next to each other like old friends. When I return, I notice a stall with a tent roof and two women sitting under it on the other side of the car park. At first, I don't understand what they are doing there, but then I see the sign: COVID-19 Specimen Collection Centre.

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