One lonely balloon

Elizabeth Lane, Redfern on Saturday, 11 April 2020

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It’s Easter Saturday. Restrictions are reinforced over this long weekend. No travel too far from your own suburb. Not sure what too far is, but definitely nowhere outside of Sydney. They have roadblocks. You are only allowed to go out shopping, exercise, and whatever else the ‘absolutely necessary’ activities may be. Yesterday afternoon I drove to Pyrmont with Dimitri to walk at the waterfront. I imagined there would be random checks at the side of the road to ask where we were going. There were none. Even though I was behind a police car at a traffic light which then stopped at the side of the road around the corner as they do when they want to wave you down. But nothing happened. Otherwise I haven’t seen any police patrolling these inner suburbs. 

Apart from a few exceptions, I was so far going through the letter M. Out of necessity in these times, I have changed my system a bit and now try to find any street with a female name in my neighbourhood as it would be unwise to travel to a faraway suburb to take photos.

Today I went to ‘Breadfern’, the local organic bakery, to buy hot cross buns and a loaf of bread. Elizabeth Lane is nearby. It’s only a small stretch at the backside of Elizabeth Street, bordered by Redfern Lane and James Street. 

It’s a sparkling, sunny day, it almost feels happy. When I turn around the corner from Redfern Lane, I hear music coming from an open garage door. It sounds familiar. I know the song well from listening to ‘Triple J’ some years ago. They played it often, so I am able to decipher the words “I’ve got a strange disease”. How appropriate. I couldn’t remember who it was by. When I looked it up later, I realised that I never took notice of the name. It was a Canadian pop music duo named Prozzäk. 

Inside the small courtyard from where the music comes, I see a young couple. He is doing sit-ups. Otherwise, there is nobody in this lane. The wind plays with a yellow balloon on the ground, blowing it back and forth. 

At the other end of Elizabeth Lane is the backside of the warehouse where Damien Minton lives and where he occasionally holds his Sunday arvo art salons. He just recently posted on Instagram of his little adventures in the back lane, observed in isolation from his window. The old, broken piano, he had posted a photo of, is still there. I think he made the comment that art is a victim of the Coronavirus. There is more music coming from inside another place. 

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Do not push the button

Mary Ann Street, Ultimo on Thursday, 9 April 2020

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I am constantly thinking about where to be outside and to go for a walk without causing any trouble or getting into trouble. Centennial Park was still open the last time I looked and ok on weekdays, but on the weekend there are too many people. I thought to check out Pyrmont and the waterfront at the end of Harris Street. I stopped in Mary Ann Street on the way. It runs from Wattle to Harris Street and then has another cul-de-sac end at the top. As a pedestrian, you can walk on from that point up some stairs or along a little passageway at the side. This street has some UTS buildings and the old Sydney Technical College which is now TAFE. There is a row of small sandstone terraces with a history plaque mentioning the surgeon John Harris to whom this land had been granted by the ‘Crown’. Two stonemasons built the terraces in 1869 to use as their family homes and rental housing. Another terrace has a small Chinese dumpling restaurant which is open for takeaway. The ‘Fork and Grind Café’ is closed and cordoned off. There is a small park with rose bushes. Two little girls are playing in the grass.

The street is empty, except for some young people with face masks, carrying shopping bags. In front of one of the UTS buildings is a black couch, either dumped or put there for smokers. A man is sitting on it working with his tablet and phone as if it were his office. But mainly the street in this busy part of the city is very empty and deserted. While walking along all by myself, I happen to come upon the Frank Gehry ‘squashed brown paper bag’ building which I could never find before. This is truly a ‘random discovery’.

At the traffic lights is a cardboard device over the push button, advising not to touch it. The lights will change by themselves.

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Dr Chau Chak Wing Building, UTS, Sydney. Also called the “squashed brown paper bag” designed by Frank Gehry

Dr Chau Chak Wing Building, UTS, Sydney, designed by Frank Gehry

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Love is the answer

Mary Street, Newtown on Friday, 3 April 2020

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I have to go to the bank to get my credit card. I was thinking of just leaving it, although banks are an essential service, and I need the card. The bank is at the corner of Mary and King Street, so I take the opportunity to look around. At the end near Lennox Street, dogs are barking ferociously inside a building with a mural painting. Two men with red safety tops are walking in and out.

The street is a bit shabby. Apart from the house with the mural, most buildings in the street look neglected and covered with tagging.

An old mattress and shoes are dumped in the driveway to an undercover parking lot. The only other neat place is the temporarily closed Kelly’s Lounge. There are beer kegs outside the door, waiting for nothing.

The next building has a tag saying “God hates us all”. Some posters inform people that a virus doesn’t target race. This is because Asian people have been attacked and vilified in public. There are too many dumb people who think the Chinese are personally responsible for the virus break-out. Words of encouragement are painted high up on a corner building glowing in the sunshine: “Love is the answer”.

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Time Capsule 2003

Amelia Street, Waterloo on Monday, 30 March 2020

Yellow Night in Amelia Street from the series Night Cruise, 2003

Yellow Night in Amelia Street from the series Night Cruise, 2003

Amelia Street in 2003

Amelia Street in 2003

This is one of the streets I went to in 2003 when I first had the idea to record streets with female names. I didn’t continue then. Recently, I found some of the photos I took at the time. One of them was from my project Night Cruise.

Amelia Street is in the middle of the new apartment complex in Waterloo where an enormous factory ground used to be, spanning several blocks. When I came to Sydney in 1997 it was deserted, still remaining like this for years. In 2003 there was the first apartment block on Lachlan Street at the end of Amelia. It must have been just about to be finished. A banner on the building fence read “Now Leasing”. Apart from this, the skyline was empty.

At the dead end of this short street was a scrap metal yard. In its place and beyond, is now the vast complex of a residential area with new streets and shops. The former office building, 24 Amelia Street, is still standing.

Three dingy little terraces are lingering on. Maybe abandoned by now. There are a lot of discarded household goods on the porches. A small lot next to them is empty, protected by a wooden fence with barbed wire on the top. At the corner is a luxury car dealer named ‘Prestige Connex’, which has been there for 28 years. Opposite were small white factory buildings and a take-away shop in 2003. Now apartment buildings have replaced them.

I observe all this from the car. It just doesn’t feel right anymore to loiter in the streets and take photos.

Metal Merchant in 2003

Metal Merchant in 2003

End of Amelia Street in 2020

End of Amelia Street in 2020

2020

Ann Street, Surry Hills

2003

After that, I drive to Ann Street. This is the other one from which I’ve found a photo from 2003. It’s divided by Riley Street, leaving only a short dead-end bit at the highest end. The other longer part winds steeply downhill to Commonwealth Street. This is the neighbourhood of Ruth Park’s novel The Harp of the South

I have to come back here sometime in the future because today I am not getting out of the car. I park at the upper end from where I can see the crossing to Riley Street. It is 5 pm, business traffic hour, but there are almost no cars. Eery and silent. I recognise the corner where I took the photo in 2003 by the yellow railing along the footpath. It’s still yellow. The side of the building, a small terrace, is now painted a dark grey. Then it was a lighter colour and had the street sign screwed to the wall. In 2003 a few things were happening on that wall. There was a patch of white which presumably was supposed to cover some tagging. But maybe they forgot their ladder and couldn’t get high enough, as some red tagging still sneaked out at the top of that white patch. The council used to cover tags and graffiti with whatever colour. It never matched the walls. The white rectangle in Ann Street proved to be a suitable background for some more stencils, tags and writings.

I don’t think I can do this project any longer, as we are not supposed to leave our homes except for clearly defined purposes. Roaming streets, even by car, may not be part of this.

Maybe I can still do my own suburb Redfern on the way to the grocery and chemist shops?

Light my heart

Margaret Street and Lane, Newtown on Monday, 16 March 2020

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I came here in a dampened mood, as on a Monday everything is worse about the Corona crisis than the week before. It’s now declared to be a pandemic. The day is grey and rainy. Margaret Street in Newtown is hidden in between a labyrinth of small streets, one-ways, dead-ends. It has some wall paintings and the most peculiar-looking apartment building, brick, maybe 50s with a gabled roof. Very narrow, wedged between a fence and an older house.

The street curves and where it does three bikes are parked side by side, a big one, a middle-sized and a tiny children’s bike. Reminds me of the three Bears from ‘Goldilocks’.

It is quiet. There aren’t many cars driving through, maybe because they don’t find it, as happened to me first. But some people are emerging from somewhere to go somewhere. A man is rummaging in the rubbish bins of the peculiar apartment block for glass bottles. The houses here have their own character: creative, environmentalist, neat, neglected or entirely absent.

Margaret Lane shows the backside of such places. There’s rubbish including chairs. Discarded chairs seem to become an accidental theme in these discoveries. 

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Writings on the wall

Maud Lane, Marrickville on Sunday, 8 March 2020

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On my way to Maud Lane, I passed by Maude Street which isn't on any map. It runs alongside the Braddock Playground, with only grass and bushes and a sandstone arch leading into it. Someone is meditating under the arch.

The street turns around a corner and becomes Maud Lane. It runs along the railway track. The first view around the bend is a section with rubbish bins, a container with pallets piled on top, and a truck in front of a low white building. Squashed cardboard boxes, a battered suitcase and an abandoned shopping trolley are sitting right under a bent sign that tells everyone not to dump rubbish there. Is this ignorance, vandalism or civil disobedience?

The lane has workshops, garages and warehouses on both sides. Number 25 insists that the lane’s name is Maude with an ‘e’, defying the street directories’ spelling. It is empty and silent. Good to come on a Sunday.

Funny how I get excited by the sight of a rather ugly street. The feeling comes from something unexplainable, a vague memory of industrial streets in my home town Hamburg. But also from the fact that this place, like so many in Marrickville, is yet untouched by new apartment block developments. A couple of people are working. One is behind half-closed roller doors, and the other is driving a forklift from one end of the lane to the other. Apart from them, I am all alone. After heavy rain, the sun has come out and it’s warm.

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While editing the photos I enjoy looking at all the details on the walls. Not so much the big elaborate graffiti, but the small scribbles, messages, colours, and objects leaning against them. In one section a few pieces of broken timber are leaning against a black wall. They look like words from an ancient language, like runes. Now, in August, five months later, they look to me like the “writing on the wall”, an ominous warning.

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A serious street in Surry Hills

Mary Street and Mary Lane, Surry Hills on Saturday, 7 March 2020

On the way home from East Sydney where I had my gallery tour this Saturday, I went to Mary Street. I had been in this street a bit in the past but never noticed the name. One part of Mary Street is flanked by the Centennial Plaza, an ugly, soulless office and shop complex. My first computer repair man had a shop there, so I often parked in this street. After that, it continues on past Albion and Reservoir Streets.

This narrow street is home to quite a lot of institutions. The Salvation Army Foster House, the Chinese Masonic Hall, the Australian Chinese Community Association, the NSW Teachers Federation building, a bookshop called Published Art, a few restaurants, a gym or two, and even a brewery.

I feel the street is overwhelmed by the seriousness of so many important places. It looks a bit down and depressed. 

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The existence of a Chinese Masonic Hall intrigues me, so I try to find something about it. It is, like any aspect of Chinese history, multifaceted. It was built in 1911, the year when the Qing Dynasty in China came to an end and the Republic of China was formed a year later. It grew out of the Hung League, which was an ancient secret society. By the time of the foundation of the Chinese Masonic Hall, the Hung League was a strong supporter of the republican cause. Like other secret societies of China, it had been connected with crime in the 19th century, known as the Triads (their symbol is a triangle). The founding of the Masonic Hall was meant to end this association with crime and to gain respectability. 

In Mary Lane is an intoxicated young man stumbling around and trying to do something with doorways. I think to leave him in peace and don’t venture very far into it.

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At least one place is offering some fun. Or maybe not when you look closer.

At least one place is offering some fun. Or maybe not when you look closer.

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Art lives in small streets

Mary Place, Paddington on Friday, 21 Feb 2020

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I went to visit some of the galleries for my Saturday gallery tour. One of them is in Mary Place, so I took the opportunity to explore this street. It’s narrow and divided into two parts. The gallery used to be called Mary Place Gallery, now the name is Defiance, a branch of the Newtown gallery of the same name. At the moment there is an exhibition upstairs with drawings by Kevin Connor. He is 88 years old and according to what I’ve read about him, he could be called a flâneur without necessarily using this term himself. He observes and draws the everyday activities of people in the city. One of the drawings was probably done at the Tropicana in Victoria Street which I mentioned in my last post.

Kevin Connor, drawing. Photo taken from exhibition at Deviance Gallery, Mary Place

Kevin Connor, drawing. Photo taken from exhibition at Deviance Gallery, Mary Place

Around 1958 the Barry Stern Gallery operated here in Mary Place. This was in the days when Paddington was grungy and a no-go zone for ‘respectable’ people. Today most parts of the street look affluent and well-kept. From the odd mix of buildings, you can still recognise the former working-class environment. One young, smart-casually dressed woman walks along, smoking a cigarette and talking on her phone. Another stands at the corner of a shop, also smoking a cigarette. Across is the other property Barry Stern had bought in the 1950s. He converted it into a gallery by joining three terrace houses. His name and founding date are imprinted on the pavement.

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An unexpected history lesson

Victoria Street, Kings Cross and Darlinghurst on Thursday, 5 March 2020 

The photography class I am teaching at WEA was scheduled for the Kings Cross field excursion. We meet at the Victoria Street exit of Kings X station in spite of heavy rain. I suggest we could stay a while at the Tropicana Caffe and take photos through foggy windows with raindrops, like the American photographer Saul Leiter. Passing Kings Cross Hotel, there is an especially heavy downpour. We stop outside under an awning for shelter. While there, I try to get some specific colour fields into my photos. That was one of the assignments I gave the students: Follow a colour. We go on to the Tropicana in the Darlinghurst part of Victoria Street. This was the place where the international short film festival Tropfest started in 1993. By the time I had moved from Melbourne to Sydney in 1997 the festival had already spilled out into the street. Rows of chairs and a screen were put into Victoria Street next to the café. Later it moved to Centennial Park and then to Parramatta. The Tropicana Caffe dates back to the 1980s and was, some say it still is, a place where local artists were hanging out to chat with friends and develop creative ideas. Or sit by themselves and draw. I remember it from the late 1990s when it still had its original style. Later it was renovated and lost, in my view, some of its flair. Today the creatives present are the students of my photography class. But sadly, no foggy glass panes.

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Later we arrive at the Kings Cross part of Victoria Street near Orwell Street. The rain hadn’t stopped all day. By 4 pm it's dark like on a winter’s day. The lit shop windows, the fading light, the yellowing leaves on the plane trees give the street a slightly European autumnal mood. A slim, young man stands in the middle of the street next to a rubbish bin. It looks "compromised", marked with black and yellow security tape. It accidentally matches the man’s runners. He is guiding the traffic around the bin. After a while, he abandons his mission and tells us some of the histories of the immediate environment.

Here are the Butler Stairs, built in 1869 to create access between the higher and wealthier Potts Point and the lower and poorer neighbourhood of Woolloomooloo. That’s where the servants and maids lived who worked for the rich people up on the ridge, climbing up the 103 steps possibly several times a day. I’m disappointed to learn that the stairs are not named after the servants, but after an Irish draper called James Butler. He was an alderman on the Sydney Council and instrumental in the building of the stairs.

Then our new tour guide tells us about Juanita Nielsen who had lived nearby at 202 Victoria Street. She was a journalist and activist in the 1970s, fighting against demolition, redevelopment plans, and the forceful eviction of residents in Kings Cross. She disappeared in 1975. This mystery has never been solved, but it is assumed that she was kidnapped and murdered.

Another local resident of Victoria Street was the Green Ban activist Mick Fowler who was fighting for the same cause as Juanita. He has a plaque in his memory at the side of the stairs.

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