Epilogue

Roslyn Street, Kings Cross, 7 June 2021

In the final month before my exhibition, I realised that I cannot visit all of Sydney’s streets with female names. I would have liked to go to Sandy Glen, Nadine Close, Kerry Avenue or Kim Street because I know women with these names who might possibly visit the exhibition and should find a photo with their name. But this would have meant to do many more trips to far-away suburbs. Looking at some of them on Google maps also told me that these streets are mostly residential and very similar to each other. I took some screenshots from the map, but that was not the original idea. So the most logical moment to stop was with the exhibition Random Discoveries in April 2021.

There were also a few streets in my vicinity that I had missed. One of them was Roslyn Street in Kings Cross. This street has a lot of memories for me as I lived nearby in Macleay Street when I had come to Sydney in 1997. It marks the beginning of my life in this city. That’s why I want to include it here at the end of this journal.

In those days the street was busy by day and night. There was the Café Amsterdam at the corner to a small lane. Smoking was still allowed in cafés and bars then. In the ‘Amsterdam’ people often smoked other stuff than just cigarettes. Next door was the Baron’s, a bar to chill out late at night. On the other side of the street was the Piccolo Bar, an iconic café since 1952. The owner Vittorio himself was always present, making cups of coffee and chatting with customers.

My visit today is not the first one since the heady days of the late 1990s. I’ve been here many times and know that the ‘Amsterdam’ and ‘Barons’ are long gone. Instead, there is a commercial building by the Architects Durbach Block which won the Harry Seidler Award. It is impressive but somehow cold and impersonal. At least on my last visits, Vittorio was still there, sitting outside of his café and talking to his friends.

This time, after lock-outs and lockdowns the street looks sad. The Piccolo Bar is closed, and newspapers boarding up the windows. I heard that Vittorio has retired and wants to sell it.

It is the beginning of June 2021 and I don’t know yet that the longest lockdown is still to come.

One lonely balloon

Elizabeth Lane, Redfern on Saturday, 11 April 2020

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It’s Easter Saturday. Restrictions are reinforced over this long weekend. No travel too far from your own suburb. Not sure what too far is, but definitely nowhere outside of Sydney. They have roadblocks. You are only allowed to go out shopping, exercise, and whatever else the ‘absolutely necessary’ activities may be. Yesterday afternoon I drove to Pyrmont with Dimitri to walk at the waterfront. I imagined there would be random checks at the side of the road to ask where we were going. There were none. Even though I was behind a police car at a traffic light which then stopped at the side of the road around the corner as they do when they want to wave you down. But nothing happened. Otherwise I haven’t seen any police patrolling these inner suburbs. 

Apart from a few exceptions, I was so far going through the letter M. Out of necessity in these times, I have changed my system a bit and now try to find any street with a female name in my neighbourhood as it would be unwise to travel to a faraway suburb to take photos.

Today I went to ‘Breadfern’, the local organic bakery, to buy hot cross buns and a loaf of bread. Elizabeth Lane is nearby. It’s only a small stretch at the backside of Elizabeth Street, bordered by Redfern Lane and James Street. 

It’s a sparkling, sunny day, it almost feels happy. When I turn around the corner from Redfern Lane, I hear music coming from an open garage door. It sounds familiar. I know the song well from listening to ‘Triple J’ some years ago. They played it often, so I am able to decipher the words “I’ve got a strange disease”. How appropriate. I couldn’t remember who it was by. When I looked it up later, I realised that I never took notice of the name. It was a Canadian pop music duo named Prozzäk. 

Inside the small courtyard from where the music comes, I see a young couple. He is doing sit-ups. Otherwise, there is nobody in this lane. The wind plays with a yellow balloon on the ground, blowing it back and forth. 

At the other end of Elizabeth Lane is the backside of the warehouse where Damien Minton lives and where he occasionally holds his Sunday arvo art salons. He just recently posted on Instagram of his little adventures in the back lane, observed in isolation from his window. The old, broken piano, he had posted a photo of, is still there. I think he made the comment that art is a victim of the Coronavirus. There is more music coming from inside another place. 

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