The World is Yours

Elizabeth Street, Newtown on Sunday 17 May 2020

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I have never been in that street before. It’s where City Road becomes King Street, just before Missenden Road. It’s only a short lane and leads to the backside of the King Street shops and restaurants. I find it fascinating to see the unpolished side of all these places, where the empty food boxes and milk crates are stored, a drum with cooking oil, a baby chair, and a makeshift shed. Some material hangs on a back gate to a yard that looks like a raincoat for a dead animal.

On the other side are the backyards of a row of terrace houses of yet another lane. At the end is a fenced-in part of Sydney University with student accommodation.

It is Sunday late afternoon. The sun just came out from the clouds to say good night, highlighting the graffiti message ‘The World Is Yours’. At a corner a car lurks like a living being, ready to pounce.

Restaurants are allowed to have guests, ten at a time, for the first time since the lockdown. When I walk past the windows in King Street I see some people sitting at tables which has become an unusual sight. Not all tables are used. That would be too crowded. Staff is wiping down the surfaces more carefully than ever, it seems.

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Cheer

Pearl Street, Newtown on Wednesday, 13 May 2020

The factory worker’s house

The factory worker’s house

Pearl Street is at the other end of the new ‘Industri’ apartment complex I mentioned in my writing about Alice Street, published on 23 October 2020 with the title I wait for you here.

I was sure that a factory would have been on that site and that the name ‘Industri’ was honouring this industrial past.

Opposite this complex is a stately home on a large property with tall trees. Very unusual for this area which has mainly small terrace houses. I imagine it belonged to the owner or director of the factory that once stood at the location of the new residential block. He was of a generation and work ethic who believed to have to be present at their own business or otherwise things wouldn’t function properly. I am making this up entirely. 

The factory owner’s house

The factory owner’s house

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I notice a variation of the peaky gable style terrace house in this street, where two entities share the same gable and have two entrances underneath, while most I have seen have a window underneath and the entrance at one side. A big fenced-in playground is closed. In a small passageway, a few young men are working on graffiti. At the end is Pearl Lane with a retro feel and look about it, enhanced by the intense light that breaks through dark clouds.

Back in Pearl Street is a large empty lot and on the exposed wall of a house at the end of it is the word CHEER in graffiti lettering. I consider briefly photographing some discarded items on the porch of a neglected small cottage, including a scarf wound around the fence post which matches the colour of the window frames. But give it up. A moment later a truck arrives and stops right there. Two delivery guys carry in a big packaged screen and something else. Someone seems to need better entertainment equipment for the lockdown, no matter how shabby all the rest looks. And I thought the house is deserted.  

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All you need is love

All you need is love

Question marks

Clara Street, Newtown on Wednesday, 13 May 2020

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There are new posters everywhere in Newtown and surrounding areas listing telephone numbers to ring for health advice, mental health and domestic violence. They are from the Newtown Green MP Jenny Leong. Next to those on the pole at the beginning of Clara Street is another lost cat notice. I think it’s about the same cat as from the poster in Eve Street. Clara Street has a few colourful murals and graffiti. On one end are big question marks painted on the wall. I interpret these as symbolic of our times, though they probably were there before.

At the end of the street, a slim, elegant cat tiptoes across the pavement. It has a collar with a bell that jingles at every step. I decide it must be female and wonder if she is the lost one, but she is already gone. After a moment, she reappears, racing, almost flying at high speed, chased by an ordinary-looking house and garden variety cat.

Clinging to a wooden fence, a tangle of strings, torn fabric, and dry branches of a vine remind me of the network of streets I am walking through on my discoveries. Nearby I read “Welcome home, Milly” on a garden gate. An odd pair of graffiti creatures look disapprovingly at a red piece of cloth dangling in a tree.

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Graffiti in May Lane

May Street and May Lane, St Peters on Sunday, 23 Feb 2020

I often drive through May Street when I go to Marrickville, and I took photos in the area for other projects in the past. Tugi and Dianna have their framing workshop Graphic Art Mount in May Lane where at least half of Sydney’s artists get their exhibition framing done, including me. May Lane is known for its graffiti. Tugi made the best out of this fact and invited street artists a few years back to do graffiti on the walls officially, like a proper exhibition with opening nights. There is still graffiti everywhere.

Today the shop is closed because it’s Sunday. A fair amount of people pass through the lane. Some are doing a phone video with a young woman in yellow. Some walk their dog, and some come from St Peters train station. 

May Street has a large lawn with some trees, a small playground, and a football oval. There is another green strip named “May Street Playground”. It’s a tiny bit of grass with a couple of trees and two benches. Someone left a French novel, torn jeans, and a towel.

There are artists’ studios in a red brick building and still a lot of old workshops and traders. Sadly, at a closer look, many of them have a ‘For Lease’ sign displayed. At the Country and Town Hotel end of May Street, they are just finishing the WestConnex road works of this section. 

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Olive…

Olive…

…and Welcome

…and Welcome

Update on 19 June: When I edited my photos from this day, I looked up some names of the graffiti writers. One of them is called ‘Land Writer(s)’ which is an Aboriginal street art duo, making art about indigenous concerns. Most entries I’ve found were from around 2016. There was a Sydney Morning Herald article featuring a piece they did in Brisbane about black death in custody.

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